Unfortunately, in the early history of MIDI there was no system or coordination, so what was patch 73 on one instrument might be a flute sound, and on another, a ’cello — or even worse, a snare drum or gunshot!
So the industry eventually agreed on a fixed palette of sounds for the various numbers, thereby allowing for consistency and facilitating the marketing of MIDI music without having to use all sorts of conversions and “mappers” to get the music to sound reasonably good. My device is not General MIDI.
Patches on some MIDI equipment are zero based, others are based on 1. For example, on a zero-based device Acoustic Grand Piano is patch 0, whereas it’s patch 1 on a 1-based machine.
Save the source for this page to a local file so you can look at it later, if you wish. To extract the patch number from the following table, multiply the row number times eight and add the column number. For example, Shakuhachi is in row 4, column 13, so 8 x 4 + 13 = 45 (0-based, or 46 for one-based).
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | |
| 0 | Acoustic Grand Piano | Bright Acoustic Piano | Electric Grand Piano | Honky-
tonk Piano |
Rhodes Piano | Chorus
Piano |
Harpsi-
chord |
Clavinet | Celesta | Glock-
enspiel |
Music Box | Vibra-
phone |
Marimba | Xylop-
hone |
Tubular Bells | Dulci-
mer |
| 1 | Ham-
mond Organ |
Percus-
sive Organ |
Rock Organ | Church
Organ |
Reed Organ | Accord-
ion |
Harmon-
ica |
Tango Accord-
ion |
Nylon Guitar | Steel String Guitar | Jazz Guitar | Clean Electric Guitar | Muted Electic Guitar | Over-
driven Guitar |
Dis-
torted Guitar |
Har-
monics |
| 2 | Acoustic Bass | Fingered Electric Bass | Picked Electric Bass | Fretless Bass | Slap Bass 1 | Slap Bass 2 | Synthe-
sized Bass 1 |
Synthe-
sized Bass 2 |
Violin | Viola | Cello | Contra-
bass |
Tremolo Strings | Pizzi-
cato Strings |
Or-
chest- ral Harp |
Timpani |
| 3 | String Ensem-
ble 1 |
String Ensem-
ble 2 |
Synthe-
sized Strings 1 |
Synthe-
sized Strings 2 |
Choir Aahs | Voice Oohs | Synthe-
sized Voice |
Orchestra Hit | Trumpet | Trombone | Tuba | Muted Trumpet | French Horn | Brass Section | Synthe-
sized Brass 1 |
Synthe-
sized Brass 2 |
| 4 | Soprano Sax | Alto Sax | Tenor Sax | Baritone Sax | Oboe | English Horn | Bassoon | Clarinet | Piccolo | Flute | Recorder | Pan Flute | Bottle Blow | Shaku-
hachi |
Whistle | Ocarina |
| 5 | Square Wave | Sawtooth Wave | Calliope | Chiff Lead | Charang | Solo Synth-
esized Vox |
Bright Sawtooth | Brass & Lead | Fantasa Pad | Warm Pad | Poly Synth Pad | Space Vox Pad | Bow Glass Pad | Metal
Pad |
Halo Pad | Sweep Pad |
| 6 | Ice Rains | Sound Track | Crystal | Atmos-
phere |
Bright-
ness |
Goblin | Echo Drops | Star Theme | Sitar | Banjo | Shami-
sen |
Koto | Kalimba | Bag
Pipe |
Fiddle | Shanai |
| 7 | Tinkle Bell | Agogo | Steel Drums | Wood block | Taiko Drum | Melodic Tom-tom | Synthe-
sized Drum |
Reverse Cymbal | Guitar Fret Noise | Breath Noise | Sea Shore | Bird Tweet | Tele-
phone Ring |
Heli-
copter |
Applause | Gunshot |
Check with Microsoft for an Instrument Definition File editor and documentation; that’s supposed to supersede the MIDI Mapper for Windows 95. There is one serious deficiency in this applet, however, that may prompt some users to stick with the 3.2 MidiMapper:
You can also make transposing key maps and patch maps with the Win 3.x MIDI Mapper or IDFEDIT, but the IDF editor apparently has no capability to map channels like the MM does. You’re on your own...
I’m doing fine with the Win 3.1 MM running under ’95, readonly.