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Helge Skjeveland’s
music-compositional œuvre as of August 22, 2011 |
curriculum vitæ |
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surround sound |
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Bachware
.MID menu |
You can click on my image at left to index the window down to here, or on such up/down
arrow icons as at left and elsewhere herein to navigate within a
page, or click on linked scores below
— whose text usually renders as dark blue, bolded, and underlined,
like the text and link at left — to actuate a
page-by-page viewer displaying scores in your browser with HTML.
When viewing the tables that list works, the left-most column has the link ▲ you can use to index up, or the arrow link → to index to its table row. Clicking the linked title then shows its score at the respective resolution and size of your monitor and window, even though the file itself’s is high (300DPI [dots per inch] , or 118 dots/cm.). You should maximize that window, and your browser may superimpose an icon signifying that you can go to full resolution (otherwise some small details, such as dots and accidentals, will be invisible), and scroll the browser window around in it as a viewport, to see details.
However, MS Internet Explorer’s recent versions, Opera 9,
and Mozilla Firefox 3.0 (and other browsers also
may…) have a “Zoom” function —
Using this lets you select display enlargement or shrinkage percentages to look at the files in a resolution that will present excellent detail without having to scroll so much, but please be aware that some browsers’ downloading and rendering of these large files with Zoom can take a few seconds, and some require a higher Zoom percentage for best rendering than others. My testing shows that Opera 9 is best for this. Also, standards compliance and performance therewith are by no means consistent! 200% often works best with a wide-screen monitor. Clicking on the scroll-bar controls can be tricky at high magnifications in some browsers.
I’m also installing scores viewable in Adobe® Acrobat® (see below). If you have a wide-aspect monitor, viewing full-screened .pdf scores in View | Page Display | Two-Up mode (two pages side by side) can be very nice.
Some display
hardware will let you use a program to rotate it between portrait (long-side up) and landscape (long-side
horizontal) orientations. Scores look much better in
portrait mode if being viewed full page, but for viewing detail,
landscape mode can be better, although having to use the scroll bars
can be tricky. Switching a display and its driver between the two
orientations can be awkward, and a pain … see your video
card’s and monitor’s documentation, and its control
software’s help system.
In such a zoom-capable browser, key combinations should be available to change zoom level: For example, In MSIE and Mozilla, the key {Ctrl} (or {Cmd} on a Mac) combining with + increases Zoom percentage, and {Key} combining with – (that’s the minus key) reduces it. {Key} + 0 (that’s a zero, not an O) resets Zoom to normal. Opera’s keys are different.
You may be able to print scores from the web page, but it may not look optimal (e.g., one score is quarto size [17"×22" — 43×56 cm.]) and some scores tabloid (11"×17" [28×43 cm.]): If you try to have your system print these on regular paper, they will break across multiple pages. A score’s page size is given in the first column, after its indexing arrow — BUT:
I’m also engaged in converting scores to Adobe® Acrobat® (.pdf) format. As these become available, you’ll
see links with the icon
appear in the second
column, clicking on which will download the .pdf file to your computer and
attempt to open it in your browser with the Acrobat plug-in
(which you can get or update at Adobe.com if you don’t
have, and your browser should automatically offer to
download for you…), in a new window | tab — right click it if you want to control how it
appears. Acrobat truly has versatile viewing and printing
capabilities for this. Some of the files are quite large because
the scores are hi-res bitmaps of professional quality. You can
zoom or shrink scores to your preferred page size using options in
Acrobat’s print-dialog options, and it also shows a small
preview of how output will look, when it prints!
Preview an HTML-source print job graphically, if possible, before committing it to paper. For such, usually, selecting in the print dialog to print from page 2 on only works best. Again, the source files are 300 DPI (118 pixel/cm.), so should print with superb quality onto paper of the size for which it was designed. You can tailor Acrobat prints to the output media with far greater flexibility, by using its print dialog options, and see a tiny preview.
If a piece has an
icon-link, this plays an .MP3 file of a MIDI-realized
version of it available for download and audition,
so you can get a better aural concept of it (e.g., first start its score viewer [.pdf or HTML], then hot-key back & click this icon
to hear the piece & follow along in the score). ©opyright
exists for this music, and the same rules apply as for scores (see next paragraph).
NOTICE: Posting my scores, .MP3s and .MIDs on this Web site doesn’t constitute donation of the notation or audio (relinquishment of ©opyright) or performance rights thereunto appertaining, to the public domain. I retain and assert all such rights to performance and dissemination. You may download the score pages to view and print (or .MP3 or .MID recordings thereof for listening) to evaluate off line (e.g., save the page image files such as .GIFs or .PNGs in a folder by selecting Save As from the right-click pop-up menu, and in Windows XP you can look at them off line as a slide show — and zoom again, as the viewer permits, or listen with a media player); but, please contact me to purchase the right to use this music, if you want to keep it, or for performance arrangements, at the following addresses:
Helge Skjeveland
1064 W. 180 N.
Orem, UT 84057-4466
USA
Works:
(click a row’s linked → @ its left
to index there, ▲ to index up)
| ▲ → TQp |
Anamorphosis
Lp
|
for large symphony orchestra with percussion battery (a BMI SCA winner, ’73/’74). This is an enormous score. The cover and score pages are Quarto sized, 17"×22" (5104×6600 pixel), and the introduction (conductor’s instructions) are Tabloid, so it’s awkward to see & scroll through. Be patient. It forces lots of browser memory/disk slewing. A hard-copy score is available for rental.
If you have access to a large-format printer, to print the letter-size
.pdf score here
to a larger paper size, use Acrobat’s File | Print Setup and
File | Print : Page Handling’s
Page Scaling “Fit to Printable Area”, |
|
▲ → Tp |
Diaphoresis
LGp
|
for large orchestra without strings
(hard-copy score also available) also a MIDI version |
| ▲ → Tp |
Cool Willie
LGp |
for string jazz orchestra & percussion
(hard-copy score also available) Style: jazzy 12-tone, AB[a] form in 11/8 meter sectioned as A: 2+2+2+2+3/8, B: 3+3+3+2/8). |
| ▲ → |
Beings | for MIDI-controlled electronic ensemble |
| ▲ → |
The Dimensions of Eternity |
Electronic work (Arp synthesizer) for 4.0 (quadraphonic) tape |
| ▲ → Lp |
2 Movements For String Quartet
Ll
|
The first is polymetric 12-tone, the second uses heavily double-stopped secundal harmony |
| ▲ → Ll |
Fantasia á 8 voci
(organ)
Ll |
Updated transcribed adaptation of the preceding’s second movement |
| ▲ → |
Two etudes for piano | Wild and angry, virtuosic, inspired by Scriabin & Ruggles |
| ▲ → |
Flute (and alto flute) etudes | Pensive and introspective, pantonal, in proportional notation |
| ▲ → |
Preludio e fuga mensurata á 4 |
For four treble instruments: polyphonic/metric, tonal/triadic; won a small Barlow award, played by French horns of the Utah Symphony |
| ▲ → Lp |
I Cor. 2:9 & 10 |
SATB: Eye Hath Not Seen (Oculos non vidit) — tonal/triadic-secundal, with organ |
| ▲ → Lp |
Come to the Temple |
SSATBB: Triadic/tonal, with organ |
| ▲ → Lp |
Easter psalm |
SATB, w/divisi: Polyphonic/chromatic, then quartal/quintal/triadic, with optional organ. |
| ▲ → Lp |
Psalm XXIII |
S×3 A×3 T×3 B×3: “The Lord Is My Shepherd,” complex triadic-secundal/meta-tonal |
| ▲ → Lp |
Motet from Psalm XXXVIII
|
SATB, complex, dissonantly pantonal repentance psalm |
| ▲ → Lp |
Alleluia
|
SSAT choral transcription of the Preludio e fuga mensurata á 4 above, set to the KJV-English text from Rev. 19:6. |
| ▲ → Lp |
Cantata“Exhortation” |
SSAATTBB, with soloists & optional organ.
Apocalyptic text partially based on LDS Doctrine & Covenants 1, with aprocrypha. Complex triadic/quartal/quintal/meta-pantonal, hetero-/polyphonic work warning to repent in preparation for Christ’s Second Coming. |
| ▲ → Lp |
“High Flight” cantata
|
SSAATTBB, with soloists: Setting of the famous poem by Magee, composed in memoriam the Challenger and Columbia astronauts. Has a complex triadic/quartal/quintal/meta-tonal, hetero-/polyphonic style, and optional organ accompaniment |
| ▲ → Tl |
Closeness to Divinity
|
An utterly simple setting for children’s chorus of poetry
by the late Charles E. Pearce; completely traditional/tonal, with piano accompaniment. The HTML score is in 2-up format, so saving its .png files locally and printing them to tabloid paper will result in two sheets foldable to a booklet. |
| ▲ → Lp |
Come, Come, Ye Saints |
A new, alternate, modernistic setting of William Clayton’s stirring hymn that inspired the “Mormon” pioneers in their exodus from persecution. Harmony is traditional major/minor, but modulates phrases extensively, and meter changes often. The HTML score is in 2-up format, so saving its .png files locally and printing them to tabloid paper will result in two sheets foldable to a booklet — or, use Acrobat’s print options to re-size & etc., according to your wants & needs… |
| The following works are my own translations &/or arrangements for chorus of sacred texts I much admire, to make them more accessible for choral performance. | ||
| ▲ → LGl |
Sanctus
|
My own translation (to English) & arrangement of the superb Sanctus (to “Holy, holy, holy…” & etc.) from Johannes Ockeghem’s exquisite Missa: Prolationum — a masterful series of rounds. |
| ▲ → Lp |
Psalm 117 |
My own arrangement and textual setting of Giovanni Gabrieli’s Ricercare 1º for organ, to the psalm of David from the English King James Bible. |
| ▲ → Lp |
I am the Light of the World
2-voice or
SATB
|
Two forms of my own English textual setting of Orlando di Lassus’ Qui Sequitur Me, from his Cantiones duarum vocorum, of the text from John 8:12, a wonderful round for which I composed my own lead-in to its initial phrase, which is this arrangement’s title. |
| ▲ → Lp |
I’ll Praise the Name of God |
My own English textual setting of di Lassus’ three-voice motet Laudabo Nomen Dei, which is a Latin setting of Psalm 69:30, that I adjusted the English King James Bible text to fit. |